Hung-Fei WU looks back on a year of the munus reading groups — collective research on contemporary healing, fluid relationships and minor knowledge. Artist Magazine No. 604 (September 2025).
Hung-Fei WU on reading groups as infrastructure for knowledge and connection: The FEELed Lab and the Bodies of Water reading groups in Taiwan. Artist Magazine No. 593 (October 2024).
Hung-Fei WU on citation as ethics, resistance and solidarity in research-based art — from Sara Ahmed and Astrida Neimanis to Patty Chang and Ting-Ting Cheng. Artist Magazine No. 588 (May 2024).
Written by Hung-Fei WU Dear Friends, your love is persistence in living. Your love refuses closure. Your love reveals plurality and opens portals. Your love claims the broken beautiful as a site for freedom beyond able-bodied supremacy. Your love shifts paradigms. Your love works with plants. Your love creates the condition of possibility for making the world anew. In the absence of official records, your love remembers.── A Decolonial Feminist Epistemology of the Bed Building on the previous writing that explored non-linear, heterogeneous, and fluid imaginings of time through rest, this opening invites the reader to...
Written by Hung-Fei WU In the face of the complexity of global geopolitics, economics, and ecology interwoven with unprecedented crises, humanity can no longer simply extract discussions of the environment or climate crisis in a compartmentalized manner. Instead, sustainability should be seen as an embodiment of the human spirit of care and justice towards all life on Earth and marginalized communities. Since 2022, I have been engaged in researching the discipline of Feminist Environmental Humanities (FEH) advocated by cultural scholars Jennifer Hamilton and Astrida Neimanis. There is no such difference from the more commonly known Ecofeminism (proposed in 1974 by...
Written by Hung-Fei WU In the autumn of 2022, I once again set foot on the European continent after a hiatus of four years. Apart from hoping to fill the gap caused by the pandemic and reconnecting the bridge between cultures, there was also curiosity about the progress of contemporary art in Europe in the midst of these tumultuous four years since my previous research project, “On the edge of Europe: Exploring the Intersection of Art and Ecology.” How much progress has been made in the discussion of ecological sustainability during this time, and in which directions has it advanced,...